EPAF

...it's been a while. I'm not the kind of person to update my position every week/month or so as you can tell, but things have changed (a lot) recently and though I'm finding myself not as active on here as much as before, I still would like to keep the old thing running. I'm not the sort who strives for attention and love and all that crap - not that a little now and again would hurt, mind you - though I do like to talk and keep myself active in communication. Communication and interaction is, after all, a department I lack in. ASD can be a bitch sometimes. Anyway, good news. I said I was interested in doing some writing and whatdoyouknow,

-------------------------------------------------- I don't want to fight anymore. I don't want to wind up in situations where I find myself attempting to be the most loudest or the most expressive individual in voice just to try to get a point across. I'm tired of arguing, I'm tired of fighting. All I wanted was to be understood and to be respected, hell, even loved if that were possible. No more of that 'be careful of what you say to me' red-tape and no more trying to spell it out as specifically as possible just so that I can be the safest possible in what people say to me. True, I've become further and further away from 'the majority' an

In today's society of Abstract Art, there are many different styles, modes and ways that the artist can convery a certain concept or area of focus. Where an artist can turn a canvas into a complex composition of shapes and forms, or maybe just an easy-to-understand image with a powerful effect on the eye, there is one area of Abstract which still undermines the importance in one of the main elements of any imagery piece - Colour. But where do we look for this? In block-form shapes? In portraits and figures of people? In still life, even? No, nothing like that. The importance of colour and colour forming/organising lies within a very specific